The main reason for this is our camera’s still can’t make 100% PERFECT repeating actions in the semi auto modes like aperture or shutter priority.
Using chemdraw ultra 12 full#
I still recommend shooting in full manual.
While camera’s have improved significantly over the years. That is priceless and why I recommend everyone shoot time-lapses in RAW. This will give you the most flexibility and should something go wrong in your shoot, you still have FULL CONTROL. The reason is, a RAW image means the photo is lossless and is completely editable.
I just feel this is important to get out of the way for people who are very new to time-lapsing. If you already knew this, stick with me a bit and I promise you won’t regret it.
Using chemdraw ultra 12 how to#
I say that to give you confidence that I know a bit about time-lapse.īy the end of this post you will understand how to shoot time-lapses like a pro as well as make sure you don’t ever get flicker again. My name is Scott Herder and I specialize in time-lapse and hyper-lapse and am based out of Brooklyn, New York and have worked for tourism boards such as Visit Czech, Visit Budapest and large brands like Kiehl’s as well as had my work featured in film festivals and been nominated for best timelapse of the year. So, without further ado, here’s Scott Herder with 13 Tips to Shooting Better Time-Lapses. If you’re interested in learning Time Lapse or Hyper Lapse, I highly recommend checking it out.įor full disclosure, I get a small kick back on anyone using this link to help support the Five Day Film School. He has also kindly offered a 25% discount for Five Day Film School readers that can be claimed via this link here. Today’s post (and video) is from Scott himself and covers 13 Tips for Better Time Lapses. It’s methodical, well organised, and covers everything you need to know, whether you’re a beginner, or intermediate Time Lapse / Hyper Lapse filmmaker like myself.Īs a huge fan of Scott’s work, I asked him if he would be willing to share some of his wisdom with the Five Day Film community and here we are. After a few weeks of getting stuck-in to the content, I’ve been blown away by the amount of work and level of detail that has gone into making the course.
What was most exciting for me though is that he runs an online course teaching the art of Time Lapse and Hyper Lapse filmmaking. Scott produces outstanding work for a whole range of clients, from the likes of Kiehl’s (products) to the tourism boards of Hungary and Czech Republic (travel).
Using chemdraw ultra 12 professional#
This is when I came across professional Time Lapse and Hyper Lapse filmmaker Scott Herder. However, until recently, I wouldn’t have called myself a Time Lapse or Hyper Lapse expert by any means – so a few months ago I went on a mission to start improving my skills and fill in the gaps. Not only that, adding these skills to my repetoire have helped me increase the overall quality of my work and the value I can bring to my clients. Having these skills under my belt have enabled me to land some of the best filmmaking gigs in the world with my dream clients (it was definitely a deal-maker for Animal Planet). I’m a huge fan of Time Lapse and Hyper Lapse filmmaking.
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